As a hobbyist, amateur, or professional photographer, you may be interested in achieving the look and feel of black and white film without the hassle and investment in equipment and gear. You can edit a digital image using Lightroom with this goal without having your hands smell like rotten eggs (developing chemicals). If you shoot black and white film often, as I do, then you might actually love that smell. If not, then you might want to read on.
Have you ever felt that your landscape photography is missing a little punch? You look at other photographers’ images and their colours have a very appealing amount of contrast. But no matter how much you play around with HSL (Hue, Saturation, Luminance), Contrast, Vibrance or Saturation, your colours just don’t get the same depth and contrast and end up looking fake and oversaturated.
As far as absolute requirements go, there aren’t many which are needed in order to make a photograph. There is, however, one certain necessity that cannot be dispensed with if you set yourself onto the maddening path of a photographer. You need a camera. Now, it doesn’t really matter which camera you have. A camera is after all just a box with an opening that allows light to pass onto some kind of receptor.
As soon as humans discovered that it was possible to capture black and white tones in a photographic image, a practical means of color photography was sought by those who dreamed of harnessing the full spectrum of visible light. Some of the very first photographic color experiments began in the mid-19th century with scientists trying to discover a material that could capture the color properties of the light that fell upon it.
In the early days of digital cameras, noise was a much bigger problem than it is these days. DSLRs routinely top out at high ISO ratings that film shooters and early DSLR users could only dream of. In those early days (the early 2000s), when ISO 800 was typically the upper usable limit of high ISO, noise reduction software became a must-have for those of us who were post-processing our files and wanted them to look less like sandpaper and more like something we’d be willing to display. Neat Image was one of the first noise reduction applications I used at that time.