Category: Digital

Wise Words: Famous Photography Quotes and Their Relevance Today

In the early years of my study, I remember leaning over the photography department work bench, trying not to look disheartened, as my lecturer scribbled notes on the glossy finish of yet another proof sheet in red marker. +1, -5, underexposed, out of focus, crop, the irrefutable question mark with an arrow pointing to a light leak of frustratingly mysterious origin, or worse – the dreaded RESHOOT.

At the time, I was frustrated with my inconsistency both behind the camera and in the darkroom. My tutor’s favorite saying, “Your first 10,000 photographs are your worst” formed in my mind an image of piles and piles of failed photographs stacked up like an impassable mountain before me.

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Light leak from a film camera.

It was only later in my career that I realized that what my teacher was saying was not a criticism, but her way of encouraging me to take advantage of the opportunity that the worst 10,000 provided. A foundation for the photography I hoped to produce in the future. Without those 10,000 duds my photographic feet would be steeped in the muddy waters of ambition with no way to see my visions through to a complete body of work.

Those initial 10,000 photos – many of which I have kept stacked in visual diaries and negative sheets to look back on fondly – provided a solid launching pad for my photographic practice and the impetus to advance. Nowadays I find myself delving into the words of photography masters for inspiration, tried and true technical advice, and occasionally a kick in the butt when motivation is lacking.

Henri Cartier-Bresson

“Your first 10,000 photographs are your worst”

Beingaware megankennedy

Be aware and ready for anything.

The inventive work of Henri Cartier-Bresson in the early 1930s opened up the creative possibilities of photography forever. Though he is known for his mastery of street photography, Cartier-Bresson was also known for his patience. The mythology of Cartier-Bresson’s “decisive moment” suggested that most of the photographs he took from the very start of his photographic career were taken with a single shot, at the precise instant of opportunity. In reality however, Cartier-Bresson honed his skill by making the most of a potential moment, sometimes shooting 20+ images of one scene. His single greatest images were preceded by the first 10,000 images that fell by the wayside.

Elliott Erwitt

“I always make it a point to carry a camera with me at all times…I just shoot at what interests me at that moment”

In photography, the whole world is a canvas. The special agony reserved for an unarmed photographer witnessing the perfect shot pass before their eyes, is something we have all experienced. Making a habit of always carrying a camera with you (beyond a camera phone, everyone has those!) is rewarding, and makes sure you will never suffer the regret of wishing you had.

Keepyourcameraonyou megankennedy

I personally keep a disposable (play) camera with me if my larger camera is too bulky. Not only do the plastic disposables ease the anxiety of being camera-less, they afford a less formal quick-draw camera for street photography. They also provide a refreshing aesthetic, and the occasional surprise. I always enjoy the odd incidental light-leak mark, a quirk of cheaper cameras that adds a real incidental feel to the image. Another upside is disposable cameras are inexpensive and (speaking from experience) they are also a bit bouncier if you drop them.

Robert Mapplethorpe

“The more pictures you see, the better you are as a photographer.”

Rainy shoots in the wilderness, urban exploration, and late night post-processing, means that often photography can be a lonely experience. But taking the time to check out other photographer’s work – from the past and present – can be a great way to get motivated and to immerse yourself in the photography headspace. Studying other artists’ work and dissecting their techniques can help you improve your own work or allow you to ease up a little and be open to experimentation.

If you usually take photographs of bustling subjects with loud, vibrant colors, try focusing on black and white minimalism for a change. Asking for advice, or perhaps even sharing your own insights, is a great way to build relationships with fellow photographers too.

Newthings megankennedy

Mary Ellen Mark

“Learning how to use different formats has made me a better photographer. When I started working in medium format, it made me a better 35mm photographer. When I started working in 4×5, it made me a better medium-format photographer.”

Taking the time to shake up your photographic practice is not only a liberating experience but an educational one. As memory cards get bigger, faster, and larger, the temptation to shoot rapid-fire and hope for the best is strong. When shooting with a film camera, however, you are restricted by the limited number of frames on the roll as well as developing costs. As a result, you will immediately start thinking much more about composition, subject matter, movement, and the technicalities of composing the shot correctly in terms of exposure, aperture, ISO, etc.

Filmexample megankennedy

Shoot with film for a different experience.

Taking the time to step back and focus on your craft will no doubt improve your technique and help you to slow down and reconnect with the process of capturing a great photo.

Imogen Cunningham

“Which of my photographs is my favorite? The one I’m going to take tomorrow.”

While it can be exhausting at times, maintaining the hunger for new and better photographs is what drives us photographers to keep going. We’re never satisfied, we never stop learning, and we never stop shooting. As with any artistic endeavor, creativity comes in waves. But to ride the good waves you’ve got to keep surfing.

Keep striving for that great shot, and when you get it, strive for the next one. You never know what’s coming, so be prepared!

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Ansel Adams

“You don’t take a photograph; you make it.”

The word take is often used to describe the process of capturing an image. But the difference between assuming an image is simply there to be taken and taking control of the image are two completely different things.

We all unconsciously make decisions about how to take a photo in terms of location, weather, time of day, etc., based on what catches our eye. So we are already exerting a lot of control over our photography. By being more aware of detail, the formal technique and execution of a photograph will invariably result in better considered and aesthetically pleasing images, which at the very least saves time on editing later.

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Do you have any favorite quotes from photographers past or present? What can we take from them and apply to our own photography? Please share your thoughts in the comments below.

The post Wise Words: Famous Photography Quotes and Their Relevance Today by Megan Kennedy appeared first on Digital Photography School.

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Wise Words: Famous Photography Quotes and Their Relevance Today 5

Categories: Digital

How to Choose Your Camera Angle to Take Better Portraits

Taking portraits involves so many variables that it can feel overwhelming for a new photographer. What lenses do you use—zoom, prime, or a mix of both? Do you shoot full-frame or cropped sensor? Will you shoot indoors or outdoors. Even the subject matter can be tricky, with some portrait photographers working exclusively with families, others who only shoot high school seniors or newborn babies, and still more who do a mix of everything.

all-about-angle-husband-wife-outdoors

Nikon D750, 85mm, f/4, ISO 900, 1/250 second

While you are pondering all these variables it can be easy to lose sight of the forest for the trees and forget about a few key basics such as posing and lighting, and no matter what style of portraits you choose to pursue there is one thing that always comes into play which may not seem obvious: the camera angle from which you shoot. This can make all the difference between happy clients and complaining customers. Understanding how you can use camera angles and points of view can greatly enhance any portrait session.

Point of view – up high or down low

Understanding how your camera angle, or point of view, can affect your shots will go a long way towards improving not just your portraits, but your photography in general. How you position yourself in relation to your subjects can have a dramatic effect on the resulting pictures. As an illustration of how this works, here are two pictures of a family from a recent home-based session I did. Both show a very similar scene, and yet the different angles from which I shot them results in two vastly different images.

all-about-angle-family-indoors-low

Nikon D750, 35mm, f/4, ISO 5600, 1/90 second

As I shot the image above I was very low to the ground. Crouching down on my hands and knees, I got very close physically to the family while the mother and father watched the boys play with their sister. It feels like the viewer is part of the scene, right there with them as they all share a fun moment together. This is entirely due to the low angle from which the picture was shot. Now take a look at virtually the exact same scene but shot from high above.

all-about-angle-family-indoors-high

Nikon D750, 35mm, f/4, ISO 3600, 1/90 second

To get this picture I grabbed a dining room chair and stood on it to get a shot from a much higher angle. The result is a picture that feels quite different from the first one. It doesn’t seem like you are a part of the scene, but an outside observer looking at the family as they gather together.

While I like both images, each one creates a very different emotional response on the part of the viewer. Even though both were shot with the same camera and lens, at the same location, with the same subjects, the result is two pictures that are vastly different from one another all because of the angle from which they were taken.

Even subtle changes make a difference

You can see a similar, but more subtle, effect in this pair of portraits I took of a young girl near her birthday.

Shot with a Nikon D750 and 85mm lens.

Nikon D750, 85mm, f/4, ISO 800, 1/500 second

The angle here isn’t as low as the first one of the family, but it’s low enough to be on the girl’s eye level. To get this I had to kneel down and stand a few meters back as her mother talked with her from my right-hand side. It gives a similar sense of intimacy as the first picture of the family and feels as though the viewer is near the girl and part of the scene.

This changes a bit when the girl is shot from an adult’s eye level looking down (below).

all-about-angle-child-playing-high

Nikon D750, 85mm, f/4, ISO 560, 1/250 second

While the effect here is not as dramatic as the example with the family, you will still note a similar result in terms of emotion and tone. Instead of getting down on eye level I shot this while standing up about the same distance away. It doesn’t feel like you, the viewer, are a part of the scene and instead it seems like you are merely an observer. Notice how the sidewalks in the background cut across the frame at odd angles whereas in the first one the sidewalks neatly cross in horizontal lines, adding a subtle touch without being too obvious or gaudy.

Once again I don’t think either picture is necessarily better or worse, but both are quite different as a result of the camera angle.

Kids – break the rules

This is, incidentally, one of the most common issues I see with people who are taking casual snapshots of their kids, whether with a fancy DSLR or just their mobile phone. Taking a few seconds to crouch down and get on eye level with the children can make all the difference in the world between an intimate moment frozen in time, and a boring snapshot.

However, I don’t want to give the mistaken impression that shooting from a high angle is necessarily a bad thing. It can be a very good thing indeed, and quite effective when used intentionally, such as this image of a girl with her two-week-old baby brother (below).

Shot with a Nikon D750 and 50mm lens.

Nikon D750, 50mm, f/4, ISO 400, 1/125 second

This picture was a bit tricky, but the results were well worth it. I was doing this on location in the family’s home so I didn’t have a lot to work with, but I wanted to get something a bit unique. I put the two kids on a blanket on the floor, got a chair to stand on, and positioned myself directly above them while bouncing my flash off the ceiling.

It resulted in an image that feels more fun and playful as if the viewer is peeking in on a fun moment between the two siblings. The equipment here was nothing all that special (I could have just as easily used my old D7100 and 35mm lens to get the same shot) but paying attention to the angle made for a picture that stood out quite a bit from the rest of the image I shot that day.

Other camera angles to consider

Sometimes finding the right angle involves something as simple as choosing where to put yourself in relation to your subject, not necessarily whether to shoot from high above or down low. You can see this in the example below. After an hour of taking a variety of traditional portrait-style

After an hour of taking a variety of traditional portrait-style shots, I stood back while the family walked back to their car and took some pictures with the sunset casting a warm glow through the trees above.

Shot with a Nikon D750 and 85mm lens.

Nikon D750, 85mm, f/4, ISO 180, 1/400 second

There are some elements that I could do without, such as the tree branches coming from the left-hand side. But overall the picture feels warm, cozy, and conveys a sense of comfortable intimacy as if I have captured the family in a quiet and sincere moment. It puts you, the viewer, as an outside observer to the scene and almost feels like you are watching from afar as the family shares a special time together.

This is in stark contrast to the next picture, which despite being at a different location is composed in almost exactly the same manner except for one variable: the angle.

Shot with a Nikon D7100 and 85mm lens.

Nikon D7100, 85mm, f/2.8, 1/250 second, ISO 100

This picture feels like it’s full of energy, excitement, and enthusiasm as the family holds hands and walks towards me. I like both pictures quite well, but changing the angle resulted in two images that are vastly different from one another.

Summary

Hopefully, these examples give you an idea of how your camera angle and point of view can dramatically affect the types of portraits you take. If you are looking to try something new and kick your photography up a notch without spending any money on more gear, try doing something as simple as changing your angle and see what happens.

In fact, this now makes me wonder about your favorite tips and tricks for shooting portraits at different angles. Leave your thoughts in the comments below, and feel free to share pictures as well!

The post How to Choose Your Camera Angle to Take Better Portraits by Simon Ringsmuth appeared first on Digital Photography School.

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Categories: Digital

21 Technicolor Images of Fall Leaves

Here in the Northern Hemisphere fall is upon us and the leaves are already changing color. What better time to get out and photograph them!

Let’s see what these photographers captured in this colorful images of fall leaves:

Louise Leclerc

By Louise Leclerc

Ram Yoga

By Ram Yoga

Darlene Hildebrandt

By Darlene Hildebrandt

Chechi Peinado

By Chechi Peinado

Stanley Zimny (Thank You For 19 Million Views)

By Stanley Zimny (Thank You for 19 Million views)

Jacki-dee

By jacki-dee

*Psyche Delia*

By *Psyche Delia*

Nicole Nicky

By Nicole Nicky

Greg Johnston

By Greg Johnston

Peaceful-jp-scenery

By peaceful-jp-scenery

Anne Worner

By Anne Worner

Susana Fernandez

By Susana Fernandez

Gisella Klein

By Gisella Klein

Stanley Zimny (Thank You For 19 Million Views)

By Stanley Zimny (Thank You for 19 Million views)

Paulo Valdivieso

By Paulo Valdivieso

Crifo

By crifo

Mike Monaghan

By Mike Monaghan

J J

By J J

Ms.Kimberly_B

By Ms.Kimberly_B

Susanne Nilsson

By Susanne Nilsson

Mirai Takahashi

By Mirai Takahashi

The post 21 Technicolor Images of Fall Leaves by Darlene Hildebrandt appeared first on Digital Photography School.

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21 Technicolor Images of Fall Leaves 15

Categories: Digital

How to Get Started Making Extra Money with Your Nature Photography

Photography is expensive, there’s no doubt about that. Nature photographers have it bad, though, especially if you’re buying long telephoto lenses for wildlife. The Canon 200-400mm lens will set you back $11,000 – ouch. So it’s no wonder that many people want to make it in photography and start monetising their work. But can you make money with your nature photography?

Brown Bear at Sunset

Making money from your photography isn’t easy, and it doesn’t get any easier as a nature photographer either. There’s less demand, and more people doing it. That means increased competition for a smaller slice of the pie. If you want to make money from your nature photos, then you must realize that it’s not easy by any means – but it’s also not impossible.

I’ve been working as a professional nature photographer for about six years now. What I’ve learned over my relatively short career so far is that you need to think outside the box to stay ahead of the competition. A bit of a cliché statement maybe, but one that you’ll have to embrace – especially if you want to be a full-time photographer.

But you’re probably reading this wondering how you can make a bit of extra cash from your photos on the side, rather than an entire life-altering career move. Well, that I can help you with! Let’s take a look at some of the main ways you can start to make money with your nature photography.

Prints and Other Products

The first print I ever sold was in 2008. That’s eight years ago now, and I’ve been doing it ever since. To the surprise of some, people do buy photographs to hang on their walls. This isn’t a space reserved solely for paintings.

Personally, I have my photos printed and framed myself, but you can have this process automated by dedicated web hosts. Zenfolio is a popular choice amongst photographers for a website, and they offer the ability to have orders automatically fulfilled by printing labs. This means you can sit back and relax, selling prints from your website.

Brown Bear

Beauty and picturesque scenes sell better as prints, rather than action-packed shots.

It’s not just online though. You can sell prints in the real world too! Head to a market or trade show, set up a stall and get selling. It’s great fun talking to customers about your work and to sell your photos this way. Doing just a couple of shows a year can buy you a new camera or lens, so that’s something to think about.

What sells best? Well, I find the more traditional wildlife photography like; clean bokeh shots, cute animals, or dramatic scenes. You’re looking for something that someone will want to look at over and over again. After all, when was the last time you moved a framed picture in your house? They stay up for a long time.

Workshops

If you really know your way around your camera and can take a decent photograph, then this is something you could consider. Day workshops offer clients tuition in photography, let them know your secrets and just help them to take a better photo and understand their equipment. It’s a popular move amongst photographers nowadays, and almost everyone trying to make a living out of nature photography is offering workshops.

wildlife-photography

The best thing about it is that you can set your own hours and choose when you work. You can fit sessions in on the weekend around your full-time job, and have a little extra money coming in on the side. All of this helps to take the sting out the costs of new photography kit.

There are different types of workshops you can offer. Some photographers partake in one-to-one guiding days, showing clients different locations for landscapes or wildlife sightings while imparting photographic knowledge. Others may rent out a blind they have built to view a particular animal (see image above), something that is often in high demand by those who don’t have the time to create such possibilities themselves.

Sell Stock Images

The stock photography industry is depleting day by day, unfortunately. It used to be the case that you could make a five-figure salary, or more, from stock photography alone. Maybe not just as a nature photographer, but you could definitely make big bucks in comparison to nowadays.

nature-photography-money

But with the rise of microstock, photographers are seeing their earnings decrease. On top of that, many stock websites are taking increased percentages as a commission, leaving photographers with little left of the few sales they may still make.

Despite that bleak picture, there are specialist nature photography stock agencies you can submit to. The likes of Nature Picture Library still sell well, at least in the UK, and photographers are able to make a decent income from them. However, they are very selective about who they work with – you need something unique in your portfolio to be accepted.

Selling to Publications

This is where there is definitely still money. Selling images to newspapers or magazines can be pretty lucrative indeed – the trick is making it a regular gig. Publications are often looking to buy not just one photo, but a sequence of photos that tell a story. That’s where your best chance to get published sits.

Selling to newspapers and other publications can be a good source of income.

Selling to newspapers and other publications can be a good source of income.

Working with a press agency to get your photos syndicated and in front of the right people is the best way to go about it. While you can contact publications yourself, you’re likely to be ignored and if your photos are used you may have to spend months chasing them for payment. Press agents take the stress out of it. There are plenty around the world, and they’ll take a commission (usually 40-50%) of the sale price for their services. I work with

Press agents take the stress out of it. There are plenty around the world, and they’ll take a commission (usually 40-50%) of the sale price for their services. I work with REX Features, but there are plenty out there such as Caters News and Associated Press. If you think you have a good, fresh sequence of images then send some low-resolution copies over and you’ll soon find out if they are sellable or not.

nature-photography-money

In Conclusion

Here are just some ways that you can make money as a nature photographer. It takes work and dedication, especially if you want to make it a full-time job. It’s definitely not the path everyone will be able to take. But, there’s no harm in trying to make a bit of extra money at first and seeing where it takes you. You just have to take that first step.

The post How to Get Started Making Extra Money with Your Nature Photography by Will Nicholls appeared first on Digital Photography School.

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How to Get Started Making Extra Money with Your Nature Photography 20

Categories: Digital

10 Tips to Help You Create Unique Storytelling People Photos

storytelling with photos leadFor most of us, the joy of photography goes beyond taking a great image, to being able to share our pictures and experiences with our friends and family. To do storytelling with images.

How many times have you been traveling and come across someone interesting that you wanted to share with your family? Did asking for permission hold you back? Did you get a photo or series of photos that really tell the story? Were your photographs different and did each add a new perspective?

The following tips will walk you through a real-life example of how I shot a glassblower in his shop and created a series of unique photos to tell his story.

#1 – Get clear on your goals for the shoot

Something attracted you to this person or situation. What peaked your interest? Do you like the subject’s purple hair? Do you love photographing people having fun? Do you want to try to capture the beautiful light on someone’s face? Or perhaps you love dance and would like to capture a dancer in a beautiful portrait?

Here are my thoughts on the glassblower. What I wanted to photograph, what I wanted to do and why I wanted to do it.

Why I wanted to photograph the glassblower:

I have been a Canon user for a long time and Sony lent me one of their new cameras and two lenses (50mm and a 90mm) for a trial run. I had already spent some time playing with the camera by photographing squirrels and I was ready to try something with a little bit more potential.

storytelling with photographs

While on vacation in a small beach town, I noticed a small shop run by a local glass blower. He made beautiful glass as well as offered lessons to tourists. I liked the idea of photographing the glass blower for several reasons:

  • He makes beautiful art.
  • The workshop is interesting with a lot of picture possibilities.
  • I could shoot available light in his workshop.
  • He was there all day doing interesting things which means I had a lot of time to shoot.
  • He seemed very proud of his work.
  • He seemed to have an extroverted personality and a sense of showmanship.

What I wanted to do:

I wanted to be able to photograph him as he worked and interacted with others.

My most important goal was to have the opportunity to shoot something pretty simple as I learned to drive this new camera. I liked this situation because I could shoot available light and there was enough action and movement that I could test out the different autofocus settings as well as the creative features of the camera.

I also wanted to be able to shoot, leave to download my images, and come back to the same situation later to tweak my approach. I had found my subject, I just needed to get permission.

storytelling with photos

#2 – Be honest about what you want and don’t be afraid, just ask!

A lot of photographers are shy about asking friends, relatives, and strangers if they can take their photo. Asking is easy if you are honest, sincere, and you know why you want to photograph the person.

The truth is, some people hate to have their photo taken and so be prepared for a no. If someone shies away from the idea, perhaps they require more convincing. Some people actually enjoy being persuaded, so push gently after the first no. There could be a yes hiding behind a little bit of shyness.

And, if you get a no, remember that it’s never personal. Some people are just going to say no. Sometimes the person being asked has no idea why anyone would want to photograph them. They are afraid you are going to make them look dumb and they can’t imagine why anyone would want to take their photograph. That is why step #1 is important.

storytellings with photographs

Before you ask permission, get clear on what you want so you can explain it and overcome any objections. Yes, it’s partly sales, but if you are sincere and enthused and truly want to photograph them, most of the time they will feel flattered and say yes.

How I approached the glassblower

When I approached John to ask him if I could photograph him, I had my camera over my shoulder. I told him his work was beautiful and I’d love to take some photographs. He beamed. He loved the attention.

Note: I didn’t run into the shop taking pictures without permission. I intentionally had my camera, though, so he knew from the start that I was interested in taking photographs. Having your camera on your shoulder, hanging loosely is non-threatening. If he had an aversion to having his picture taken, he would have felt much more relaxed than if I had put a camera in his face. This isn’t paparazzi. It’s about connecting with someone you want to spend some time with.

I told him the truth. That I was in town visiting and I wanted to learn how to use this new camera. I smiled and told him I had already photographed every squirrel in town and was ready to shoot some people. He laughed.

telling stories with photographs

Being able to put people at ease is a great step toward getting a yes. I find it easier to connect with people as a student than a professional. When I approach people as a professional they put up more of a front. When I’m just trying to learn my camera, the pressure is off the subject to do or be anything.

If you are looking for great vacation photos and stories to share with your friends and family, say so. Imagine if a traveler approached you, said you looked amazing and would love to show people back home what people here looked like? You’d be flattered! Of course!

I also explained that I was testing the camera and I might shoot for awhile, go look at pictures, then come back again to shoot some more. Would that be okay? He got excited over the attention and immediately started to share photos another photographer had taken. He loved the idea of being photographed and I had a subject.

#3 – Be considerate

You are shooting in someone else’s home, yard, or business, so be courteous. If a customer comes in, the customer comes first. Always take the back seat. It’s a privilege when someone allows you to take their photo. Remember that and you will always be welcome.

telling stories with photos

#4 – Tell your subject to pretend you aren’t even there

First of all, you will get better pictures and expressions if your subject keeps busy doing what they love. You can watch how they do it and begin to anticipate their next move. Secondly, especially if you are working in a place of business, you don’t want to distract them from their livelihood. If you do, they will grow impatient and suggest the session is over.

I often get close to shoot and then back away for awhile. It relaxes the subject and keeps them off guard. It truly allows them to forget about me and get into their zone.

how to tell stories with photographs

#5 – Really work the situation

Create a variety of shots, with the goal that each shot adds a different element or idea to the story. Walk around, shoot high and low, and use a variety of lenses. Work on cleaning up the background and capturing great expressions. Look for opportunities and unique ways of showing it. Experiment. Have fun. Get creative.

telling stories with photographs

#6 – Shoot portraits

Look for different expressions, light, and angles. Shoot tight and shoot loose. Include the environment in some shots. Work on taking candids as well as photos with the subject looking at the camera. I loved the light on John’s face when he was looking at the fire and how it reflected in his glasses.

telling stories with photographs

Remember, variety is the key. Notice how many different expressions John has in the different photos in this article. Each expression helps to add an element to the story.

telling stories with photographs

#7 – Shoot action shots

Tell the story of what the person does. Try shooting the same activity in different ways.

telling stories with photos telling stories with photographs

#8 – Shoot close-ups and details

telling stories with photos telling stories with photographs

#9 – Shoot hands

telling stories with photographs

#10 – Photograph relationships

Try to capture the relationship your subject has with other people. In these photos, a tourist stopped by to blow his own piece of glass.

telling stories with photographs telling stories with photos

You now have the tools to approach strangers to ask them if you can spend time with them taking pictures. These rules apply to every situation, whether it’s a musician in the street, your child’s ballet class, or a homeless person. Remember to know your intention and be honest with the subject. Sincerity has opened many, many doors for me.

Once you are inside the door, really work your subject to tell the story. Try different angles and remember to shoot close as well as far away. Shoot portraits, close-up shots, focus on recording what the subject is doing, as well as their relationships.

What story would you love to shoot? Do you know a musician in your neighborhood or a craftsperson? Share your thoughts below, go out and shoot and then share your images in the comments below.

The post 10 Tips to Help You Create Unique Storytelling People Photos by Vickie Lewis appeared first on Digital Photography School.

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10 Tips to Help You Create Unique Storytelling People Photos 25

Categories: Digital

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